DIARY OF A MADMAN
Unintelligent, unambitious, and high-born mortals belong to a high social position, standing opposite an intelligent, ambitious, but poor man who belongs to the lower social layers. It could be easy for a person to deal with life circumstances that are too hard and encumber them from birth. Not all can rise from the ashes like the Phoenix...
The show dominates the independent scene with its alternative approach through a multitude of performances in the country of setting and beyond. The unique hyper-realistic approach of the acting is complemented by the same style of setting up the visuals of the play, and even from the aspect of the "audience," which is part of the actor's story. The audience is "accidentally" led to listen to the madman's story; he calls them to listen to him and help him.
In the play, an absolute translation of the time of the original play was made, which modernized it not only in terms of thematics but also in terms of visuals and acting.
The play has participated in many festivals across several continents and won significant awards for best direction, acting, aesthetics, and others.
Theater : Theater Factory
Author : Nikolaj Gogolj
Director : Gjorgji Rizeski
Composer : Almir Bajramoski
Photography : Deana Andonovska
Aksenty Ivanovich Poprishchin : Boban Aleksoski
Participants: Igor Donevski ; Anica Bebikj